For those familiar with Chopra’s cult
classic, Parinda, Broken Horses is essentially its scene by scene remake, with a
minor twist to the climax. The comparative casting is as follows-
- Julius Hench – Vincent D’Onofrio (Nana Patekar)
- Buddy Heckum – Chris Marquette (Jackie Shroff)
- Jakey Heckum – Anton Yelchin (Anil Kapoor)
- Vittoria - Maria Valverde (Madhuri Dixit)
For those who haven’t seen
Parinda, here is some background – A man, in order to support his younger brother
in life, starts working for a gangster, who won’t let him go at any cost. When
the younger brother comes to know, he joins the ranks too, but to destroy the
organisation from within, and get his brother out of the gangster’s clutches.
Coming out after watching Broken
Horses, if we were sure about one thing, it was that the film lacks ambition, which
is evident in the very fact that the producer literally remade his own film,
frame by frame. The weight of this statement doesn’t diminish easily, whatever number
of times it may be said. Nonetheless, the film doesn’t disappoint, as it
provides exactly what one expected from the director: an emotionally fuelled
story about love, sacrifice and family. The story gets a western facelift, and
though a bit of a drag, and left somewhat unexplained at times, it manages to
provide ample thrills and gun-slinging drama, and keep the audience occupied in
anxiousness. The backdrop of the movie has been done nicely, setting it near
the US-Mexico border, giving it an eerie, dangerous feel, that puts up the
correct atmosphere for the mystery, manipulation and suspense the film is shrouded in.
Acting skills weren’t a big
contributor in this venture. Anton Yelchin, in the lead, comes off as a fused
bulb. His performance is dull, and he seems to be just pulling it along for the
heck of it. His on-screen romance with Maria Valverde also seems one-sided,
with the actress doing good in the role of Vittoria, the doting fiancee, and Yelchin
just wanting to get it over with, collect his paycheck and go home. Chris
Marquette is, if not exemplary, appreciable in the shoes of Buddy Heckum, the somewhat
mentally handicapped brother, manipulated into becoming a hitman to support his
younger brother. D’Onofrio looks good as the mob boss Julius Hench. Though his
performance seems somewhat theatrical and overdone at times, he does
considerable justice to the character.
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